Slowly we are drawn into old Salieri's madness until we at last understand why he did what he did -- but by that time, we see what a patheic creature he is. He is, as he himself says, the "patron saint of mediocrity." His insane anger against God causes him to destroy himself -- and yet, he is allowed to live in order to see his own destruction. That is the real horror of the story.

The Japanese nation is in turmoil and on the verge of a collapse, the government must act to stop the violence from the nation's youth. They introduce a new measure 'Battle Royale' in which the pupils in a class from a randomly chosen school are taken to a deserted island and forced to fight each other to the death... Japanese dialogue with subtitles.

• Disney Verison - Beauty and the Beast (1991) - Animated Movie

Belle is a girl who is dissatisfied with life in a small provincial French town, constantly trying to fend off the misplaced "affections" of conceited Gaston. The Beast is a prince who was placed under a spell because he could not love. A wrong turn taken by Maurice, Belle's father, causes the two to meet.

• "Beauty and the Beast" (1987) - TV Series

Creator Ron Koslow's updated version of the fairytale has a double focus: the relationship between Vincent,(a mythic, noble man-beast) and his Catherine (a savvy assistant DA in New York); and a secret Utopian community of social outcasts living in a wondrous world beneath the city a sanctuary where Vincent is protected and loved. Through an emotional bond connecting Vincent to Catherine, he is able to sense the dangers her job brings her, and he comes to be her protector as well as the man she loves beyond all measure. The series follows the developing relationship between these two and nicely fleshes out the underground world of labyrinth tunnels, mystical waterfalls, and people who have come together to form a loving and nurturing family. In a twist from the original tale, however, this "beast" does not transform into society's idea of beauty after gaining the love of Catherine. Rather, Vincent's inner beauty is allowed to remain the focus of who he is and it is Catherine's former "shallow" self that is the ugliness transformed by their love of each other.

Stanley Kubrick's striking visual interpretation of Anthony Burgess's famous novel is a masterpiece. Malcolm McDowell delivers a clever, tongue-in-cheek performance as Alex, the leader of a quartet of droogs, a vicious group of young hoodlums who spend their nights stealing cars, fighting rival gangs, breaking into people's homes, and raping women. While other directors would simply exploit the violent elements of such a film without subtext, Kubrick maintains Burgess's dark, satirical social commentary. We watch Alex transform from a free-roaming miscreant into a convict used in a government experiment that attempts to reform criminals through an unorthodox new medical treatment. The catch, of course, is that this therapy may be nothing better than a quick cure-all for a society plagued by rampant crime.

• Crow, The (1994)

Eric Draven and his fiance are brutally murdered on Devil's Night, a night when the henchmen of crime-boss Top Dollar traditionally indulge in wanton acts of violence and arson. A crow brings Draven's restless soul back from the dead and he sets out to wreak revenge upon his killers.

http://anneke.hispeed.com/crow/crow.html

• Crow: City of Angels, The (1996)

This sequel to the 1994 cult classic which ended in the real life death of Brandon Lee has "the Crow" revive a new character, Ashe Crowe. This time, a man and his son are killed by a deranged gang after witnessing a murder. The father is brought back to life by the crow to exact revenge on his murderers. Directed by Tim Pope of music video fame, this plays like a long music video. Vincent Perez's thick accent often makes his dialogue less than understandable. A very dark, brooding revenge story.

• Crow 3: Salvation (2002)

Clean-cut kid Alex Corvis (Eric Mabius) is framed and executed for the brutal murder of his girlfriend (Jodi Lynn O'Keefe). He is revived by a crow spirit guide to hunt down the corrupt policemen who committed the crime, and ultimately to unmask the mysterious scarred man who ordered her death.

• The Crow: Stairway to Heaven TV Series

Based on James O'Barr's original graphic novels, the TV series starts much like the first Movie, and is centered around Erik Draven trying to return to his girlfriend and the grave. The series expands on the Snakes and goes into the mysteries of the afterlife.

When attorney Julie Hastings (Frances McDormand) uncovers corrupt city real estate dealings, evil thugs attack her scientist boyfriend, Peyton Westlake (Liam Neeson). Left for dead after his lab is detonated, he miraculously survives when the ensuing blast hurls him into the nearby harbor. Treated as a John Doe at a city hospital, he is unknowingly submitted to radical therapy which numbs his nerves to feeling--but which heightens his strength and his emotions. Once conscious, Peyton escapes from the hospital and builds a ramshackle lab in an abandoned industrial plant. Horribly burned and scarred by the lab explosion, he uses synthetic skin to impersonate his would-be murderers and seek retribution for their evil deeds. Peyton also tries to reunite with Julie, who believes him to be dead.

Ancient curses, all-powerful monsters, shape-changing assassins, scantily-clad stewardesses, laser battles, huge explosions, a perfect woman, a malcontent hero--what more can you ask of a big-budget science fiction movie? Luc Besson's high-octane film incorporates presidents, rock stars, and cab drivers into its peculiar plot, traversing worlds and encountering some pretty wild aliens. Bruce Willis stars as a down-and-out cabbie who must win the love of Leeloo (Milla Jovovich) to save Earth from destruction by Jean-Baptiste Emmanuel Zorg (Gary Oldman) and a dark, unearthly force that makes Darth Vader look like an Ewok.

A drama about an 800 year old, angst ridden vampire who lives in present day Toronto as a homicide detective in an attempt to repay for his sins and regain his mortality, with the aid of Natalie Lambert, a mortal coroner, while trying to keep his secret from his partner Tracy Vetter. His quests are hindered by his tormented past and his seductive 2000 year old master, Lucien Lacroix.

http://home.earthlink.net/~delker/forever.html

It hadn't even been a year since a plantation owner named Louis had lost his wife, and now he had lost his will to live. A vampire named Lestat takes a liking to Louis and offers him the chance to become a creature of the night: a vampire. Louis accepts, and Lestat drains Louis' mortal blood and then replaces it with his own turning Louis into a vampire. Louis must learn from Lestat the ways of the vampire.

http://anneke.hispeed.com/vampire/interview.html

Young Sarah (Jennifer Connelly) is left home alone by her parents and she has to babysit her little brother Toby. But the baby keeps crying and Sarah, while telling him a story to make him sleep, inadvertently conjures from a fantasy world the Goblin King (David Bowie) who steals the child and brings him to his castle in the middle of a labyrinth. Sarah has to rescue him before midnight, or the baby will became a goblin...

Could this be the funniest movie ever made? By any rational measure of comedy, this medieval romp from the Monty Python troupe certainly belongs on the short list of candidates. According to Leonard Maltin's Movie & Video Guide, it's "recommended for fans only," but we say hogwash to that--you could be a complete newcomer to the Python phenomenon and still find this send-up of the Arthurian legend to be wet-your-pants hilarious. It's basically a series of sketches woven together as King Arthur's quest for the Holy Grail, with Graham Chapman as the King, Terry Gilliam as his simpleton sidekick Patsy, and the rest of the Python gang filling out a variety of outrageous roles. The comedy highlights are too numerous to mention, but once you've seen Arthur's outrageously bloody encounter with the ominous Black Knight (John Cleese), you'll know that nothing's sacred in the Python school of comedy. From holy hand grenades to killer bunnies to the absurdity of the three-headed knights who say "Ni--!," this is the kind of movie that will strike you as fantastically funny or just plain silly, but why stop there? It's all over the map, and the pace lags a bit here and there, but for every throwaway gag the Pythons have invented, there's a bit of subtle business or grand-scale insanity that's utterly inspired. The sum of this madness is a movie that's beloved by anyone with a pulse and an irreverent sense of humor. If this movie doesn't make you laugh, you're almost certainly dead.

• The Movie(s):
• 1925

At the Opera of Paris, a mysterious phantom threatens a famous lyric singer, Carlotta and thus forces her to give up her role (Marguerite in Faust) for unknown Christine Daae. Christine meets this phantom (a masked man) in the catacombs, where he lives. What's his goal ? What's his secret ?

• 1943

Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career. But Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague the Paris Opera House, blamed on a legendary "phantom" whom none can find in the mazes and catacombs. But both of Christine's lovers have plans to ferret him out.

• 1962

The corrupt Lord Ambrose D’Arcy (Michael Gough) steals the life’s work of the poor musical Professor Petry. (Herbert Lom). In an attempt to stop the printing of music with D’Arcy’s name on it, Petry breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petry returns to terrorize a London opera house that is about to perform one of his stolen operas.

• The Phantom of the Opera (TV Miniseries) (1990)

Count de Chagnie has discovered Christine's singing talent on a market place and sent her to his friend Carriere, the director of the Parisian opera. However just when she arrives Carriere's dismissed. His arrogant successor refuses to let a woman of low birth sing in his opera, but graciously employs Christine as gadrobiere for his wife Charlotta, who's installed as first singer. He also fights the phantom, an unknown guy who lives since many years in the catacombs below the opera and was granted privileges by Carriere. However the phantom knows how to defend himself and at the same time helps Christine to her career. Burt Lancaster, Teri Polo and Charles Dance star in Academy Award-winning director Tony Richardson's stunning, Golden Globe-nominated television miniseries. The classic tale of a hideously disfigured man who haunts Paris's subterranean labyrinths while harboring an all-consuming passion for a beautiful opera singer continues to enchant audiences. With its timeless story, "The Phantom of the Opera" endures as not only a deeply touching love story, but as a chilling spectacle of desire and vengeance played out against the grandeur and decadence of 19th century France.

When sheriff Barnum investigates the death of an elderly rural resident, he discovers a teenage grandson living in the basement. Raised by his grandparents, he has experienced the world only through books, never leaving the family farm. He is sent to a state home for boys where he has trouble fitting in socially. His odd appearance and unusual abilities cause the small town residents to fear and ridicule him. However, not all are afraid. Some begin to view his potential and gifts with wonderment.

A kindly grandfather sits down with his grandson and reads him a bedtime story. The story is one that has been passed down through from father to son for generations. As the grandfather reads the story, the action comes alive. The story is a classic tale of love and adventure as the beautiful Buttercup is kidnapped and held against her will in order to marry the odious Prince Humperdinck, and Westley (her childhood beau, now returned as the Dread Pirate Roberts) attempts to save her. On the way he meets an accomplished swordsman and a huge, super strong giant, both of whom become his companions in his quest. They meet a few bad guys along the way to rescue Buttercup.

After Janet accepts Brad's marriage proposal, the happy couple drive away from Denton, Ohio, only to get lost in the rain. They stumble upon the castle of Dr. Frank-N-Furter, a transvestite who is holding the annual convention of visitors from the planet Transsexual. Frank-N-Furter unveils his creation, a young man named Rocky Horror, who fears the doctor and rejects his sexual advances. When Frank-N-Furter announces that he is returning to the galaxy Transylvania, Riff Raff the butler and Magenta the maid declare that they have plans of their own. (An audience participation film)

William Steig's delightfully fractured fairy tale is the right stuff for this computer-animated adaptation full of verve and wit. Our title character (voiced by Mike Myers) is an agreeable enough ogre who wants to live his days in peace. When the diminutive Lord Farquaad (John Lithgow) evicts local fairy-tale creatures (including the now-famous Seven Dwarfs, Pinocchio, and the Gingerbread Man), they settle in the ogre's swamp and Shrek wants answers from Farquaad. A quest of sorts starts for Shrek and his new pal, a talking donkey (Eddie Murphy), where battles have to be won and a princess (Cameron Diaz) must be rescued from a dragon lair in a thrilling action sequence. The story is stronger than most animated fare, but it's the humor that makes Shrek a winner. The PG rating is stretched when Murphy and Myers hit their strides. The mild potty humor is fun enough for 10-year-olds but will never embarrass their parents. Shrek is never as warm and inspired as the Toy Story films, but the realistic computer animation and a rollicking soundtrack keep the entertainment in fine form. Produced by DreamWorks, the film also takes several delicious stabs at its crosstown rival, Disney.

• Next Generation (1987)

Settled in the 24th century and 78 years after the adventures of the original crew of the starship Enterprise this new series is the long awaited successor to the original Star Trek series from the 1960's. Under the command of Captain Jean-Luc Picard the all new Enterprise NCC 1701-D travels out to distant planets to seek out new life and to boldly go where no one has gone before.

• Voyager (1995)

The Federation starship USS Voyager, chasing a band of Maquis rebels, enters the dangerous space nebula known as the Badlands. Both ships are transported by a distant space probe to the Delta Quadrant, 75,000 light-years from Federation space. Voyager's crew and the Maquis form an uneasy truce to rescue crewmen of both ships, kidnapped by the probe's builder, the powerful, dying Caretaker. The Maquis ship is destroyed in a battle with the warlike Kazons. To prevent a Kazon aggression against a helpless world, Voyager destroys the space probe. Without the probe, it will take 75 years for Voyager to travel back to Federation space. With the differences between them rendered meaningless by time and distance, The Federation and Maquis crews unite aboard Voyager. Together, they embark on their new mission: to boldly go - home.

• Enterprise

Captain Archer, pilots the crew of the Enterprise as they reach out to explore space for the first time. The series is set before Kirk, and has to bridge the difference between First Contact and the original Star Trek series.

• Star Trek: First Contact

The time is the 24th century and the ship is the newly commissioned Enterprise-E. It's captain, Jean-Luc Picard, has been ordered not to interfere in a combat between a Borg Cube and ships from the Federation. However, seeing the Federation is about to lose, Picard ignore his orders and take command of the defending fleet. With his knowledge of the weak spot of the Cube, they destroy it. However, a small part of it escapes and plot a course directly to Earth. The Enterprise chases it and enters a time distortion created by the Borg. They end up in the mid 21st century, their only chance of stopping the Borg from assimilating Earth being to help Zefram Cochrane make his famous first faster than light travel to the stars...

• Star Trek: IV The Voyage Home

  A space probe appears over 23rd century earth, emanating strange sounds towards the planet, and apparently waiting for something. As time goes on, the probe starts to cause major storms on earth and threaten its destruction. James T. Kirk and crew are called upon once again to save mankind. They discover the strange sound is actually the call of the humpback whale - which has been hunted to extinction. They have only one choice - to attempt to time travel back into the 20th century, locate a whale, and bring it back to 23rd century earth to reply to the probe.

• The Movies
• The Phantom Menace (1999)

"I have a bad feeling about this," says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event... well, ever. He might as well be speaking for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: Sure, this is Star Wars, but is it my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them. And as with all the Star Wars movies, The Phantom Menace features inexplicable plot twists, a fistful of loose threads, and some cheek-chewing dialogue. Han Solo's swagger is sorely missed, as is the pervading menace of heavy-breathing Darth Vader. There is still way too much quasi-mystical mumbo jumbo, and some of what was fresh about Star Wars 22 years earlier feels formulaic. Yet there's much to admire. The special effects are stupendous; three worlds are populated with a mélange of creatures, flora, and horizons rendered in absolute detail. The action and battle scenes are breathtaking in their complexity. And one particular sequence of the film--the adrenaline-infused pod race through the Tatooine desert--makes the chariot race in Ben-Hur look like a Sunday stroll through the park.

Among the host of new characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim), and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos that make Princess Leia look dowdy and wields a mean laser. We never bond with Jedi Knight Qui-Gon Jinn (Liam Neeson), and Obi-Wan's day is yet to come. Jar Jar Binks, a cross between a Muppet, a frog, and a hippie, provides many of the movie's lighter moments, while Sith Lord Darth Maul is a formidable force. Baby-faced Anakin Skywalker (Jake Lloyd) looks too young and innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but his boyish exuberance wins over skeptics. Near the end of the movie, Palpatine, the new leader of the Republic, may be speaking for fans eagerly awaiting Episode II when he pats young Anakin on the head and says, "We will watch your career with great interest." Indeed!

• Attack of the Clones (2002)

If The Phantom Menace was the setup, then Attack of the Clones is the plot-progressing payoff, and devoted Star Wars fans are sure to be enthralled. Ten years after Episode I, Padmé Amidala (Natalie Portman), now a senator, resists the creation of a Republic Army to combat an evil separatist movement. The brooding Anakin Skywalker (Hayden Christensen) is resentful of his stern Jedi mentor, Obi-Wan Kenobi (Ewan McGregor), tormented by personal loss, and showing his emerging "dark side" while protecting his new love, Amidala, from would-be assassins. Youthful romance and solemn portent foreshadow the events of the original Star Wars as Count Dooku (a.k.a. Darth Tyranus, played by Christopher Lee) forges an alliance with the Dark Lord of the Sith, while lavish set pieces showcase George Lucas's supreme command of all-digital filmmaking. All of this makes Episode II a technological milestone, savaged by some critics as a bloated, storyless spectacle, but still qualifying as a fan-approved precursor to the pivotal events of Episode III.

• Revenge of the Sith (2005)

It has been three long years since the Clone Wars have first begun, and Jedi Knights Obi-Wan Kenobi (Ewan McGregor) and Anakin Skywalker (Hayden Christensen) have fought as hard as they possibly could. When the capital planet of Coruscant becomes under attack by the Separatist droid armies and Supreme Chancellor Palpatine (Ian McDiarmid) is kidnapped by the army leader, General Grievous (voiced by Matthew Wood), Anakin personal problems begin to develop, including his anger at the Jedi Council for not giving him the rank of Master, though he is on the council, and his plagued visions of his secret wife, Padme Amidala (Natalie Portman), dying in childbirth. He is determined to do anything to save her, no matter the cost. While Obi-Wan is sent to kill General Grievous on Utapau, Anakin is taken under Palpatine's wing, being subtly seduced by the Dark Side of the Force and convince that the Dark Side is power than can save his wife from death. Soon enough, a new, darker, ominous figure that would eventually be feared by the entire galaxy is formed: Lord Darth Vader. Obi-Wan, discovering Anakin's betrayal, sees no choice but to face his own apprentice in an attempt to bring back the young, loyal Jedi that had been like his own son, brother, and friend.

• Star Wars: A New Hope (1977)

Part IV in a George Lucas epic, Star Wars: A New Hope opens with a rebel ship being boarded by the tyrannical Darth Vadar. The plot then follows the life of a simple farmboy, Luke Skywalker, as he and his newly met allies (Han Solo, Chewbacca, Ben Kenobi, C-3PO, R2-D2) attempt to rescue a rebel leader, Princess Leia, from the clutches of the Empire. The conclusion is culminated as the Rebels, including Skywalker and flying ace Wedge Antilles make an attack on the Empires most powerful and ominous weapon, the Death Star.

• The Empire Strikes Back (1980)

Fleeing the evil Galactic Empire, the rebels abandon their new base on Hoth. Princess Leia, Han Solo and the droids R2-D2 and C-3P0 escape in the damaged Millenium Falcon, but are later captured by Lord Darth Vader on Bespin. Skywalker, meanwhile, follows Ben Kenobi's posthumous command and receives Jedi training by Yoda on Dagobah. Will Skywalker manage to rescue his friends from the dark lord?

• Return Of The Jedi (1983)

  Darth Vader and the Empire are building a new, indestructible Death Star. Meanwhile, Han Solo has been imprisoned, and Luke Skywalker has sent R2D2 and C3PO to try and free him. Princess Leia - disguised as a bounty hunter - and Chewbacca go along as well. The final battle takes place on the moon of Endor, with its natural inhabitants, the Ewoks, lending a hand to the rebels. Will Darth Vader and the dark side overcome the rebels and take over the universe ?

• TV Movies
• Ewok Advanture (1984)

The Starcruiser of the Towani-family crashes on the moon Endor. Father and mother Towani get seperated from their 2 children Mace and Cindel. The children are found by Ewoks, inhabitants of Endor. Although communicating is a real pain at first, Mace and Cindel persuade the Ewoks to help them to find their parents.

• Ewok Battle for Endor (1985)

The army of the Marauders, led by by King Terak and the witch Charal attack the Ewoks village. The parents and the brother of Cindel all die in this attack. Cindel and the Ewok Wicket escape and in a forrest they meet Teek a naughty and very fast animal. Teek takes them to a house in which a old man, Noa, lives. Like Cindel he also crashed with his Starcruiser on Endor. Together they fight Terak and Charal.